Firefly/Serenity

Firefly (and its follow-up movie Serenity) is another show that, on the surface, seems to be deliberately doing something different to Star Trek. Set in the future and following the crew of a spaceship, it has a Western-inspired vibe. The ship has a courtesan and a mercenary on board, and the use of Chinese phrases scattered among the English seems to be a reaction against the perceived tendency of Star Trek and other series to make the future look very American (somewhat unfairly, and Uhura’s native language is very specifically established as Swahili in “The Changeling,” although she is admonished and told to speak English which is especially odd as they all have Universal Translators… but we digress).

But actually, Firefly is very directly inspired by Star Trek, which was famously conceived by Gene Roddenberry as a “wagon train to the stars.” Its even more famous tag line describes space as “the final frontier,” clearly positioning the show as basically a Western in space. Firefly takes that basic idea but goes in a different direction with it. Instead of focusing on the exploration aspect of the movement of immigrants to America ever further west in the 19th century, Firefly picks up on other elements of Westerns and Western tropes – particularly the lawlessness in a frontier environment with minimal law enforcement. It is the yin to Star Trek’s yang.

WALL-E

WALL-E’s most obvious and immediate inspirations are the films Silent Running and 2001: A Space Odyssey, but if you look closely, there is a good bit of Star Trek in there as well. It is, of course, largely set on a spaceship and one of the main characters is the ship’s captain – so far, so superficial.

But there are deeper connections to Star Trek here. One of the things that is notable about WALL-E is just how good and well-intentioned all the future human characters are. The present-day human character played by Fred Willard, and by implication all the other present-day humans, are somewhat terrible, but all of the future humans we meet are good people who are open to new experiences when they are exposed to them. Their sedentary, passive lifestyles are simply what they have been taught and brought up with. The simplest and briefest exposure to the world around them, even just by being accidentally toppled out of their mobile chairs, sets them off on a journey of discovery, and the ship’s captain is thrilled and excited to learn more about Earth and about his own ship’s true mission. That attitude is pure Star Trek – a passion for discovery and exploration, even when it is one that ultimately leads back to Earth again.

The Orville

There was a point, around 2017-2019, when The Orville was famous for being more like Star Trek than Star Trek. This is not meant – by us anyway – as a criticism of Star Trek: Discovery, which is a great show. But in its first two seasons, Discovery deliberately leaned away from some of the Star Trek series that had come before, following a disgraced former mutineer instead of a Captain or Commander, featuring a morally dubious Captain who actually turned out to be “evil,” focusing on war and trauma, and using arc-based instead of episodic storytelling. It was pretty similar to Deep Space Nine in many ways, but for fans of the more upbeat, Planet of the Week, episodic storytelling of the Original Series, The Next Generation, or Voyager, it was a bit of a shock (Star Trek: Enterprise, like Discovery, re-tooled itself somewhat halfway through).

The Orville, on the other hand, basically is Star Trek in the 1990s mold of Next Gen or Voyager. Seven episodes of the show were actually written by Brannon Braga with his new writing partner, former scientific consultant on Star Trek, André Bormanis. And yes, writers are of course capable of writing different things, but although The Orville started out as a Star Trek spoof, pretty much the only difference between the two by season 3 is that people on the Orville sometimes eat pot brownies.

Danofgeek