In this way, it’s interesting that his superiors in Maverick include Harris. The older actor is only 12 years Cruise’s senior and once played globally renowned fighter pilot John Glenn in The Right Stuff (1983). As the years passed, Glenn became a real-life senator, and Harris is now playing an admiral. Similarly, in Cruise’s signature action movie franchise, Mission: Impossible, the star is often reprimanded by IMF Director Alan Hunley, a character played by Alec Baldwin. Also like Cruise, Baldwin came up in the 1980s and starred in his own classic spy thriller, The Hunt for Red October (1990).

Harris and Baldwin both were “promoted” to the role of the proverbial senator. But Cruise? He’s the last and perhaps only living proof that movie star charisma can endure. It can even get better with age.

Once a Different Type of Movie Star

Before Top Gun was released in 1986, the idea of Tom Cruise as the grinning action star did not exist. After Top Gun, Cruise still at least somewhat resisted being placed only in that box. To be sure, he’d already achieved a certain level celebrity before then by appearing in 1983’s surprise hit Risky Business. But while largely remembered today for the innocuous image of Cruise playing a teenager eager to dance to Bob Seger in his underwear, that picture actually remains a moody and surreal thriller about a young kid who is out of his depth when he’s seduced by a call girl into turning the family home into a brothel.

It brought Cruise attention, but it didn’t make him a household name, nor did the similar romantic teen dramas (and one bizarre Ridley Scott fantasy) he made immediately afterward. Top Gun was the inflection point; the picture where Cruise starred in the highest concept Jerry Bruckeheimer and Don Simpson’s hard-partying offices ever came up with in the ‘80s. This blend of fighter jets, postcard sunsets, and well-tanned male bodies went on to become the biggest movie of 1986 too, not to mention the greatest recruitment video the Navy ever had.

As a result, Cruise was a brand, and one as reliable as Coca-Cola. When it came to the biggest hits of his early career—Top Gun, Cocktail (1988), Days of Thunder (1990)—they all followed a pretty familiar formula as outlined by standup comic Rich Hall. Whether he was a fighter pilot or a yuppie mixologist, he was still the same hotshot who needed to be slightly humbled (but never defeated) by the love of a good woman.

Cruise and his agents obviously agreed to all these lucrative box office hits, but even in those heady Reagan years, there was an initial apprehension by Cruise and his team to let the biggest movie star in the world become only that. As a young man, he made a point to star in those guaranteed moneymakers, as well as passion projects by auteurs. He was Paul Newman’s protégé in the Martin Scorsese-directed The Color of Money (1986), and after Oliver Stone’s Vietnam War reverie, Platoon (1986), won Best Picture, Cruise fought to star in Stone’s next film about that nightmare, Born on the Fourth of July (1989). His unexpected casting as Vietnam vet Ron Kovic, who returned from Southeast Asia paralyzed and as an anti-war activist, still remains the best performance in Cruise’s career.

Danofgeek